Mixing Myths #02

Welcome back, audio enthusiasts! After debunking the first set of mixing myths, it's time to dive deeper into the world of sound engineering and confront more common misconceptions. Whether you're mixing in a home studio or working in a professional environment, understanding these myths can make all the difference in your workflow and the final product. Let’s break down some new myths, with a bit more motivation and technical detail to keep you inspired and informed.

Myth #1: Compress Every Track for a Professional Sound

Fact: Compression is powerful, but it's not a one-size-fits-all solution.

The idea that every track needs compression is pervasive, but it's a misconception. Historically, engineers working with analog gear would use compression to manage the dynamic range, ensuring a balanced mix on tape. However, not every track in your mix needs compression. Over-compression can suck the life out of a performance, flattening the dynamics and causing ear fatigue.

Consider the work of legendary engineer Geoff Emerick with The Beatles. On tracks like "A Day in the Life," Emerick carefully chose where to apply compression, allowing certain elements to breathe naturally while controlling others. The result was a dynamic and immersive soundscape that still resonates today.

Tip: Use compression selectively.

Focus on what each track needs. For drums, compression can add punch, but for a delicate vocal, it might rob the performance of its emotional impact. Use your ears, not a formula. Try using the VLA-2A for smooth, transparent compression on vocals or bass, where you want to maintain the natural dynamics.

Myth #2: More Plugins Equal Better Mixes

Fact: Less is often more.

The digital age has made countless plugins available, and it’s tempting to use them all. But remember, mixing is about balance, not overprocessing. Renowned engineer Bruce Swedien, who worked with Michael Jackson, was known for his minimalist approach. On "Thriller," Swedien focused on capturing great performances and using only what was necessary to enhance the sound.

Adding too many plugins can introduce unwanted artifacts, phasing issues, and muddiness. Moreover, it can bog down your CPU, interrupting the creative flow. The best mixes often come from simplicity—strategically using just a few tools, like the Edelweiss`72 (with an incredible linear-phase EQ section), to craft a sound rather than stacking plugin after plugin.

Tip: Get it right at the source.

If you find yourself needing excessive EQ or compression, the problem might lie in the recording itself. Invest time in capturing the sound right from the start, and your mix will come together with minimal intervention. Experiment with a variety of rooms, replace the instruments, reposition the microphones, work with dampers and absorbers, work with mobile walls (on wheels), add a carpet or get rid of one. Try to transform in the analog world, and compare your recordings.

Myth #3: Never Pan Low-Frequency Instruments

Fact: Creative panning can lead to unique, compelling mixes.

Traditionally, bass and kick drums have been panned dead center (at least ever since the 1980s) to provide a "solid foundation". Initially his approach is deeply rooted in vinyl record production, where excessive low-frequency content on the sides could cause the needle to jump out of the groove. But 60s and 70s records show a variety of experiment on panning instruments and/or frequency. And, we’re not constrained by vinyl anymore.

In genres like electronic music, innovative producers often pan low-frequency elements to create a sense of movement and space. For example, in Daft Punk's "Giorgio by Moroder," subtle panning of bass elements adds to the track’s futuristic vibe without sacrificing the low-end power.

Tip: Experiment with subtle panning.

Try using panning in combination with a stereo M/S effect like within the KH-EQ1 on bass synths or 808s to push the lower frequencies slightly off-center. You’ll be surprised at how much depth and interest this can add to your mix, especially when combined with mid/side processing.

Myth #4: Analog is Always Better Than Digital

Fact: Both analog and digital have their strengths.

The debate between analog and digital is ongoing, but it’s important to recognize that both have their place. Analog gear is often praised for its warmth and character, qualities derived from the harmonic distortion and saturation introduced by tubes, transformers, and tape. However, digital technology has come a long way, offering pristine clarity, flexibility, and convenience that analog simply cannot match.

Take, for instance, the recordings of Steely Dan’s "Aja." Engineer Roger Nichols used a mix of analog and early digital technology to achieve the album’s iconic sound. He blended the best of both worlds, proving that it’s not about choosing one over the other but knowing how to leverage each for its strengths.

Tip: Use our analog emulations for warmth and digital tools for precision.

With plugins like the VHL-3C, you can capture the essence of analog warmth without sacrificing the precision and flexibility of digital processing. Don’t limit yourself—explore both realms and find the right balance for your sound.

Myth #5: Only Expensive Gear Yields Professional Results

Fact: Skill and creativity outweigh gear.

It’s easy to fall into the trap of thinking that professional results require high-end gear. While quality equipment can make a difference, it’s ultimately the skill and creativity of the engineer that matter most. Consider the work of Butch Vig on Nirvana's "Nevermind." Recorded in a relatively modest studio, Vig relied on his deep understanding of sound to capture the raw energy of the band. The result was a groundbreaking album that still sounds fresh today.

In the digital domain, Black Rooster Audio’s plugins, such as the Cypress TT-15 amp, offer vintage tones and high-quality sound at a fraction of the cost of their hardware counterparts.

Tip: Master your tools, whatever they are.

Focus on honing your skills rather than chasing after the latest gear. Learn your tools inside out—whether it’s a simple EQ plugin or a complex analog compressor—and you’ll find that you can achieve great results without breaking the bank.

Mix up!

Mixing is both an art and a science. While there are plenty of rules and guidelines, the best engineers know when to break them. Remember, the most important tool in your arsenal is your ears. Keep experimenting, stay curious, and never stop learning. In the end, it’s your unique approach and creative vision that will make your mixes stand out.

For more tips, tricks, and inspiration, stay tuned to the Black Rooster Audio blog. And if you haven’t already, check out our range of plugins designed to help you achieve that professional sound, no matter what myths you might encounter along the way.